The song is just a tiny bit crass and sweary too, which adds some spice. Very few seem to really know what they are talking about. You have to imagine this encyclopedia of the heart, which contains such wonders, as something that could not possibly exist in the physical world, but what if it did? The character in this song doesn’t know why he feels like dancing. Top 100 Songs of 1969 Year: All Time 2011 2010 2009 2008 2007 2006 2005 2004 2003 2002 2001 2000 1999 1998 1997 1996 1995 1994 1993 1992 1991 1990 1989 1988 1987 1986 1985 1984 1983 1982 1981 1980 1979 1978 1977 1976 1975 1974 1973 1972 1971 1970 1969 1968 1967 1966 1965 1964 1963 1962 1961 1960 1959 1958 1957 1956 1955 1954 1953 1952 1951 1950 Every idea in the song is irresistible. The layered vocals in this song creates quite a cool effect. It’s iconic as the gateway to 69 Love Songs and plays its role well, introducing themes (like madness) that will become familiar.
Consider that writing one of those can’t be easy.
Fake ones are fine. ", 100 Best Songs of the 2010s – #69: "Dizzy" by The Million Reasons. As such, it is much better and more affecting than it has any business being. As songs torn from the librettos of impossible musical sex comedies go, this one’s pretty great.
The fact that it can be so odd and yet so easy to identify with is what makes it great as a pop song and one of the best of the 69. There’s a feeling of elation in this song that sets it apart from every other song on the album. We have nothing more to add. This song is an affront to both love and jazz, and it is really too cynical to tolerate. It’s as if it’s a very old song that’s been sung for generations and none even really thinks about the lyrics anymore. This track is a not particularly amusing parody of a blues song, perhaps because it’s both dashed off and self-satisfied or at least amused with itself. That makes it even sadder. “The Cactus Where Your Heart Should Be”. Some will sympathize easily with the character in the song, who is plaintive and plainly terrified, as many people are in the face of a budding romance. The song was released in July 2018, and I loved it at first listen. This fan favorite is 100 percent G-rated and Claudia Gonson’s singing provides some much needed relief from Merritt’s lugubriousness. One gets the feeling that all the flowers in the fairyland where the eponymous fairytale is set are DayGlo daisies, but everyone is wearing a vest and suspenders for some reason. It works well as all of these things, and also as a song. The Magnetic Fields had enough respect for country and perhaps for themselves not to parody the genre. It’s not seriously a country song, but, like a lot of the other takes on various musical genres of on 69 Love Songs, Grand Canyon isn’t a parody either. The Magnetic Fields are beguiling when you can’t quite tell how invested they are in the song, or the idea of love. The notion of The Book of Love is where music comes from is wonderful and pushes things into the realm of magic realism. The tone is bright enough that you could almost overlook the fact that the song contains a suicide threat. ( Log Out / Mavis Staples, YARD OF BLONDES - Single Review: "Do You Need More? No. All right. It’s easy to imagine when you hear the wildly hummable “The Sun Goes Down.” It might be the most plausible as a show tune of all the songs he released as part of this project. What it is is an outrage. It could be taken as a warning that playing fast and loose when it comes to mixing politics and romance of any sort is never a good look. Lots of us have been in this place, but the vast majority of us will never be able to describe it in such graceful lines as, “You need me like the wind needs the trees to blow in.”. Its most devastating lyric goes as follows: “When you cancel dinner plans / When you cross the street and you don’t take my hand / When you make impossible demands / I wish I didn’t understand.”. Merritt makes great use of his sonorous voice to authoritatively put forth a kind of manifesto, as he’s called it, for _69 Love Song_s. It’s kind of cool, but it also smacks of Tom Waits, which seems like a cop out. You aren’t sure, then, how invested you should be, and that keeps you pleasantly off balance. The song’s cheeriness and optimism in the face of a long-distance relationship makes it stand out from its fellows like a canary-yellow dress at a funeral. The Magnetic Fields’ three-disc album 69 Love Songs is a staggering achievement, a cultural landmark, a monument to romantic, yet urbane misery. The kind of song to make you want to serenade someone who you want to spend the rest of your life with, or renew your vows, or meet someone who you want to spend the rest of your life with. This one shows what it feels and looks like when you are inside that experience, where love becomes a type of spiritual devotion.
This is fair. This is a list of Billboard magazine's Top Hot 100 songs of 1969. Still, it’s darker undercurrent to “Sweet Lovin’ Man” that really makes it great. At the time “Dizzy” was recorded, the band consisted of Scott Nadeau (vocals and guitar), Ken Ugel (guitar), Mike Nichols (guitar) and Colin Dill (drums). May we all have the courage and backbone that Merritt models in this doomy homemade synth-pop breakup song. The guitar is perfect….the solo is really good. So, yes, it sounds a tiny bit dated, but it is also a perfect specimen. As manifestos go, this one is unusually enchanting. This song takes the idea of shallow romantic song and twists it into a horrifying mask, which is the way we tend to feel about happy, shallow love songs in the deepest pit of heartbreak. I like this one a lot. I had never heard of The Million Reasons. Or are the kids so much harder now? This is the case here, but it also just seemed like a good time to point that out. This is an attempt to destroy the love song all together, to avenge oneself perhaps, but its core is even more sour than that. There’s little real emotion expressed through the vocals of Merritt and L. D. Beghtol in this crushing folk ballad. Damn. Or maybe they know exactly what they are doing. Learn how your comment data is processed. The lyrics to this one are poetic in a plain way. This would be a good album closer, but it comes in around the middle of disc three. Unlike “Abigail, Belle of Kilronan,” “The Night You Can’t Remember” is a bawdy kind of Irish folk song.
If you let them, the rueful lyrics will take you out of the song in a dissociative club-drug kind of way.
The instrumentals are incredible, and Scott Nadeau’s powerful, expressive vocals are perfection. This site uses Akismet to reduce spam. He doesn’t try to do too much…just the right feel.
This could be the one sheet or press release for the album. )We all know what When Merritt makes reference to “all the endless nights when I wished I could still cry” we know that, even though this is a happy song, it belongs to a very sad musical. All the talk about zebras and pyramids makes it one of the quirkiest and most whimsical songs on an already quirky and whimsical album.
Although the band knows it’s silly, the song’s also irritating.
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